Xenobenchy: Ripley wouldn't approve
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The classic Benchy crossed paths with a Xenomorph and now drips acid instead of water
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Let's be honest: the classic Benchy was cute, but it was missing that "I'm about to kill you in your sleep" vibe that only H.R. Giger could deliver. So I took the most printed hull in 3D printing history and made it meet a Xenomorph in a dark alley. The result? Don't ask, but here it is.
The cabin has become a biomechanical temple, complete with an alien skull where the chimney used to be, because let's face it, even alien ships need a fancy chimney, they don't just live in a cave (oh wait, actually...). The bow drips a greenish liquid that looks suspiciously like xenomorph acid blood, the kind that melted through the Nostromo's floor like butter left in the sun.
This piece will make horror sci-fi fans happy, and anyone who just wants a centerpiece that makes guests go "uh, that's not normal" the second they walk into the living room.
🧩 Print Specifications
Model height: 150mm (taller than a facehugger standing on its hind legs)
Layer height: 0.16 mm (more precise than Ripley's motion tracker in the dark cargo bay)
Infill: 10% Lightning (hollow inside like the Xenomorph's exoskeleton, but tough on the outside)
Supports: yes (even aliens need a helping hand sometimes)
Brim: optional (just to keep the base from making a run for it like the eighth passenger off the ship)
Material: PLA matte black (later dyed as dirty black as this thing's soul)
Print time: about 9 hours (less time than it takes the Xenomorph to wipe out the entire crew)
PLA used: about 148 g (lighter than a facehugger, but way scarier)
🖌 Recommended painting technique
after applying the spray primer, lay down a matte black base coat with acrylic markers over the whole surface. To bring out the biomechanical texture, apply a light dry brushing pass with anthracite grey on the raised details, so the ribbing catches the light without losing the black base underneath. For the liquid dripping from the bow, use a semi-transparent neon green/yellowish acrylic, applied in drips with a fine brush, then finish with a touch of gloss/UV resin only on those areas to simulate the acid blood's viscosity. Keep the rest of the model matte for contrast.
Print it, paint it, and then never leave it alone in the kitchen at night.